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And that is a gift. The book was published by Rio Grande Books. Find out more on their website, riograndebooks. Midwest Book Review, Wisconsin Bookwatch: There are fly fishing experts in each state steer steering the reader to their own hotspots, telling the readers when to fish and which flies work best.

The book is told from the viewpoints of Miguel and Michelle, two young students of a class of school children touring the site.

They also get to see the runway. The last page is a map of New Mexico showing the location of the spaceport.

No glossary is needed because all unfamiliar terms are aptly explained in the text. The children do not get into trouble or have any scary problems or encounters on this tour.

They follow directions and listen to their teacher and the tour guides. The most interesting parts of the book are the fanciful comments the boy and girl make to each other about what they are learning about this strange place in the desert and the opportunities it may have to offer them in the future.

Every spread has large text on one page and a full-color illustration across from it. As more people visit Spaceport America to watch launches, test flights, and eventually, take trips themselves, this simple straightforward book is sure to become a favorite souvenir to help future space pioneers remember their first visit to a very unique place.

Kicking the Bucket List: Her tone is encouraging, comforting, and even humorous as she systematically navigates through the vast preparation process while providing a plethora of ideas to inspire action without overwhelming.

This invaluable book is an easy-to-read, enlightening reality check and an insightful and sensitive reminder to preplan today, so you and your loved ones can enjoy the rest of your life.

The idea is to draw up a list of things to do—places to visit, books to read, and so on—before you die. On the one hand, the concept of a bucket list sounds a little morbid: On the other hand, though, the creation of a bucket list can help focus the mind and prioritize what is really important.

The book counts down the list of activities, which range from reading books and watching movies to at number one going into space.

The book casts a pretty broad net of activities in its list. Others involve actual trips to museums, launch sites, and the like.

Still others are more ambitious, and expensive, like skydiving and astronaut training. While many of the activities are in the core of spaceflight, others seem tangentially related, at best.

Still, there are some gems in this brief book each of the items gets one page, consisting of a paragraph or two plus a photo.

Not only does it suggest buying meteorites, it includes an entry for learning how to search for them yourself.

Jeff Foust jeff thespacereview. He also operates the Spacetoday. Views and opinions expressed in this article are those of the author alone.

It reads nice and easy as if personable Albuquerque author Slim Randles were advising you to choose items you want from his bucket list.

The list is comprised of things to visit and things to do. It is numbered from number down to No. Each listing receives its own page; photographs accompany the text.

Randles writes that the crossing was initially used for cattle drives by Charles Goodnight and Oliver Loving as part of the trail from Texas to New Mexico named for them.

The crossing is near a farm road northwest of Girvin, Texas. It is sponsored by SouthWest Writers. And he will sign and discuss the book at 3 p.

For the last-mentioned item, No. In between are activities that could occupy you for months, if not years. It could mean traveling from the East Coast to Hawaii, attending rodeos, visiting museums, joining a wagon train, going to cowboy poetry gatherings, buying a GOOD cowboy hat.

Or maybe taking a horseback tour of Mongolia. Or it could mean exploring bucket list opportunities on day trips from home.

Visit Folsom Man Site, where a black cowboy discovered archaeological artifacts. Check out Carlsbad Caverns, which were first explored by a cowboy.

Randles grew up in El Monte, Calif. When war called up his students, Jett carried on a personal correspondence with hundreds of young men and women.

The back and forth of these letters boosted morale among the serving soldiers and nurses overseas and stateside.

From a woman stationed in San Diego: I know it now! A Bilingual Tale" is an illustrated bilingual tale in Spanish and English for children ages This charming tale about a holy Santo Nino Christ Child who heals children and receives shoes to continue his missions was originally published in the s by famed new Mexican author Peggy Pond and is now being re-issued with new translations and illustrations so whole new generations of both cultures may continue to enjoy the story.

Julianita, last of eleven children and spoiled and mothered by all her 11 siblings, decides she will make a new pair of shoes for the Christ Child, el Santo Nino, because the ones he is given wear out at least 2 or 3 times per year.

Is the Santo Nino cavorting around the country side at night, or going on errands of mercy to help heal children everywhere? Julianita is determined to make her special shoes for the image of the Christ Child, hide, and watch to find out what happens.

Perhaps she is growing up, her parents wonder, noting her unusual industriousness. Carefully Julianita makes her plans and steals to the church at night with her fine gift of shoes for el Santo Nino.

Though she is afraid, she is delighted and surprised by what awaits her in the church. For the Christ Child has become a living boy who is delighted with her special gift, a boy even smaller than she is.

The Santo Nino companions Julianita in his night odyssey and they see many marvels together. El Santo Nino speaks to the horse and the burro, asking after their welfare, and they answer him in wonderful words.

The burro consents to carry both the little Christ Child and Julianita on their way. Amazingly, Julianita sees each of the creatures of the night communicating with the Christ Child, so gentle and so wise, even the tiny mouse and the humble jack-rabbit.

Each creature addresses the Christ Child with reverence and respect. Gradually Julianita comes to realize the precious miracle that el Santo Nino has chosen to reveal to her: It is her own faith and belief.

The Spanish translations on each page and the colorful illustrations by award-winning artist Charles M. Carrillo enhance perfectly this beautiful tale of faith and reverence.

It begins on Feb. Another photo is a close-up of her hands; the forefinger on her right hand is missing. It was sliced while mowing in an alfalfa field, the text says.

Tsosie grew up ranching in Bowl Canyon, N. In between those pages are landscapes, objects, baseball players and portraits that reveal the hard work, pride and endurance of the Navajo people.

Among them are saddle bronc rider Jerrick Hildreth of Coolidge, N. Short text blocks accompany many photos.

The final image in the book is a road sign near Shiprock that thanks motorists for visiting the Navajo Nation and to return for more memories.

The tale is delightfully imaginative: This tales is best suited for children ages four to eight. Apparently, in the old days, they were rounded up in the fall by brave cantaloupe punchers and special dogs.

The story comes complete with villains. The cantaloupes were just plain mean. One day, a band of cantaloupes even attacked Andy, the family dachshund.

In order to save his dog, Dad, the hero, scored a direct hit on the nearest cantaloupe. His sliced it in two with his knife.

Pronghorned cantaloupes might be wild and dangerous in a herd, but they were mighty fine eating when they were caught. To find out what eventually became of these critters, you must read this delightful folk tale of the Moderately Old West.

To add to its wonder and charm, The Tale of the Pronghorned Cantaloupe is fully bilingual — English-Spanish, translated by its illustrator, Noel Dora Chilton, whose forty-eight splendid illustrations enrich the text.

But a how-to on starting a competition barbeque team? Nope, not until now. To the credit of Hensler, he is upfront with his readers about how this book came about.

And judging from what he included in this book, this is a guy who got it right away. Hensler included a couple of bonuses in his book.

The first is all the barbeque team logos interspersed throughout the pages. Some you may know, some you may not. It may inspire a new logo for a team of your own.

The second bonus is the playlists for different periods in a competition. He was attending the competition as a spectator and decided that competitive barbequing looked like it might be a good deal of fun.

The team started out pretty innocently as a bunch of friends barbequing in the back yard but quickly turned into a full fledged BBQ team.

When beginning competitive barbequing the team had to rely on the assistance of other teams to point them in the right directions as there was no printed information widely available at the time.

Luckily although the barbequing is competitive most teams were willing to take a new team under their wing and show them the ropes.

The society lays out some of the ground rules for competition including; the types of barbequing meats, the double blind judging method, and contest rules.

When beginning to barbeque competitively George Hensler searched for information on how to begin the team. This book is an absolute necessity to anyone considering starting a BBQ team or someone just wanting to know more about BBQ teams.

There are chapters including; building your team, selecting a cooker, and how to handle your first contest. There are also a wealth of stories intermingled into the text of events that have occurred.

At the end of the book there is a glossary of BBQ terms so that even a newbie can understand what is being said. The book is available at Amazon.

There are many ways to get involved in barbequing. You can become a judge through classes that are available throughout the year at various locations.

You can be a contestant in the competitions and compete locally or travel the country. Or you can just be a spectator and enjoy the wonderful smells and flavors.

The one who has a secret sauce recipe passed down from his grandmother? The guy who is sure that if he entered a competition he would walk away with more trophies than the NY Yankees?

He needs this book. Fairly new to competing, George has chronicled his experience as on his blog http: George writes in a friendly and colloquial fashion with ancedotes that complements his advice.

When I got the book I was motivated to read due to the thickness not thick at all of the book. I spent a couple days checking out the art work on the front page and the back page with comments from Ray Lampe aka dr bbq, Rick Browne and Mike Stines.

When I started reading this book, it became personal right away. First of all thanks to Al Gore for inventing the internet.

George stated on a forum that he was writing a book and was looking for bbq pictures. Now I regret not sending our logo to make this book. After 4 top ten calls and a RGC we knew who those guys were.

The book is very informative for people who plan to compete or for fans of pitmasters to know whats required to compete. As a comp bbq team we found this very valuable.

This book will shortening the learning curve. From picking a name to team mates, bbq equip and the things needed compete, Transportion, box building practice were points that addressed.

Resoures such as bbq forums, bbq books, equipment sources, review of kcbs rules,and bbq lingo. Reading this book could cause an addiction.

But it will have you totally prepared for competition bbq. I am sure George would agree with me that he wish he had read this book before starting to compete.

We think any one planing on or competing can gain valuable info from reading this book. George where are the recipes?

George even includes a variety of team logos throughout the book including one that does not include a cartoon pig but instead involves a skull and crossed BBQ tools.

And some smoke in da eye of the skull. Anyway, back to the book. As George mentions, it was hotter than a whore on dollar night that weekend and everyone was struggling to get 6 categories completed and turned in a three-hour window while not passing out.

We all survived and settled in to awards, not expecting much based on the critique our neighbor and good friend Jack McDavid had provided of our entries.

But we sat anyway and were amazed to get a first place call in the first category, sausage. We cheered so much, in fact, that I missed the fact that they called Smoke In Da Eye for second place in chicken and had to look at the trophy when I received it to even know what category it was for!

Yet while every existing competitor should read the book simply to experience the color way in which George shares so many of the experiences we have all had during our time on the circuit, this book was truly create as a bible for those just now looking to dip their foot in the barbecue sauce pond.

As such, I asked my wife to read the book and provide her own take on it. Although she grew up minutes for the mega Memphis In May contest and has come to several of our competitions over the years, her experience has always been that of a spectator.

I was very impressed by the chapter about Box Building , which explains why putting lettuce in a Styrofoam container is surely one of the most maddening aspects of competing.

What I loved most though was how he was able to convey his love of the sport and the camaraderie between all the teams.

In , Shuster was the first artist to enter Carlsbad Caverns and paint its inky splendors. Forever seeking new adventures, Shuster and fellow Cinco Pintores painter Walter Mruk heard about the exciting discovery of an underground world near Carlsbad and drove south to the cave.

They found geologist Willis T. Lee encamped with his National Geographic entourage for several months of surveying and photography. The pair set up lanterns on the primitive trails, making sketches as models for larger works.

Shuster produced at least eight large paintings and several oil sketches of Carlsbad. Shuster would return to the caverns again in as part of a Works Projects Association mural contract.

The murals have since disappeared, either destroyed by their maker or never finished, Manno said. Shuster later said, "The cave has made a cubist, vortivist and post-impressionist of me against my will.

The exhibit would showcase not only five paintings by Shuster, but 25 original prints by Ansel Adams. The great photographer came to the caves in and to photograph them for the Department of the Interior.

They were sort of a hidden treasure. To communicate scale, Adams was forced to use models, another technique he abhorred, she added.

Adams described one of the most challenging assignments of his photographic career by comparing the cave to working inside an "illuminated stomach.

Mounted on board, the prints are signed in pencil and have been authenticated by the Adams estate. Where else do you see these fantastic rock formations and the amount of time it takes to form them — hundreds of thousands of years?

And you have to create your own light, which drove Ansel Adams crazy. Book signing of "Visions Underground: And Juan, a reformed trickster — he guards sheep — wonders if Manuelito is leading an honest life.

The three meet in the cantina where Maria works. Manuelito, dressed to the nines, says he sells sombreros. The cousins get wasted on shots of mescal.

Chasing him, Juan thinks he can fix the problem. But the rooster is dead before he can return it. Rather than reveal the surprising developments, readers should find out for themselves.

Besides the issue of excessive alcoholic consumption, the inclusion of swear words in English and Spanish make this is a story for adults.

The cautionary tale ends with the aphorism, " A few misspellings and an incorrect glossary listing will slow readers, but not enough to dim the pleasure of the story told by Cheryl Montoya and illustrated by Jerry Montoya, both of Grants.

Included in this quarter-millennium pre-Anglo creative output were Cult of Mary expressions and homages to other female saints. What most people are not aware of is that lavender is also a plant that Spanish settlers first brought to the Americas and has a great many culinary uses as well!

People like famous photographer Ansel Adams and artist Will Shuster. This intriguing and entertaining book covers the history of those who have been inspired to explore Carlsbad Caverns National Park with paintbrush and camera.

She located several works that belonged to the caverns but were in storage in other states, including 25 original prints that Adams made in the caverns in She noticed that the Shuster art and the Adams prints needed conservation.

Manno brought in a consultant from the Museum of New Mexico, Jamie Hascall, who designed special sealing frames for the Adams prints.

The exhibit opened last October at the Visitors Center. Manno, a graphic artist, has been a caver for 30 years and a volunteer at the caverns for 15 years.

He unsuccessfully ran for Territorial Legislature in The answer says Armijo nabbed Billy the Kid for an unspecified offense.

The Spanish word vaquero, which means cowboy. This is the second edition of a popular book that was first published in Bullis is a resident of Rio Rancho.

Billy the Kid also is the answer to a movie question: Maybe the book will spawn an Old West Trivia board game. Ultimately, this proved to be instrumental in helping to establish the cave and surrounding land as a National Monument in and a National Park in The park was declared a World Heritage Site in Manno has compiled over contemporary and historical images of Carlsbad Caverns and associated caves e.

In addition to a host of photographs taken deep within the cave, a rich array of spectacular illustrations—ranging in style from photo-realistic representations to abstract designs—captures the ethereal beauty of underground Carlsbad.

Many of the early artists discussed in the book were hardly known outside of a select community. And yet, working in relative obscurity, they created some of the most endearing artistic masterpieces of Carlsbad Caverns that have ever been produced.

Others, such as renowned photographer Ansel Adams, enjoyed international acclaim. However, all of them struggled to maintain their creative vision when faced with the foreboding and pervasive darkness of the cave.

Portrayed in a variety of media, images of Carlsbad have steadily evolved over the past years, shaped not only by advances in available technology but also as an adjustment to how these images were actually utilized.

As Manno so clearly describes, however, what has remained largely unchanged over the intervening years is the creative inspiration that the cave continues to evoke in the eyes of artists and photographers.

In this singularly interesting account of speleohistory, Manno does an excellent job capturing the ever-changing flavor of underground art, particularly as it unfolded at Carlsbad Caverns National Park.

These featured artists are all well known within the caving community for their unparalleled skill and expertise in capturing the otherworldly magnificence not only of Carlsbad Caverns National Park, but of underground passages in cave systems worldwide.

Many of these prominent artists and photographers have written books themselves, detailing aspects of their own particular creative genius.

While artists and photographers alike may find many wonderful ideas buried among these pages, it should be noted that this book is not an instructional guide to either cave photography or the creation of speleoart.

Cave photographers will not find recommendations for underground lighting and exposure techniques. On the other hand, general-interest readers will not be bogged down by complicated discussions of F-stops, guide numbers, and megapixels.

Furthermore, the book is not meant to be a comprehensive pictorial anthology of Carlsbad Caverns. Rather, it offers only an infinitesimal sample of the captivating world of cave art…past and present.

Readers interested in instructional material on underground photography and speleoart or in the collected works of select artists are encouraged to consult some of the many references provided.

Visions Underground is a well-written and easily read book that will appeal to a wide audience. General readers as well as artists, photographers, and cave historians will all find something of interest here.

In fleshing out this historical portrait of a century of creative expression at Carlsbad Caverns, Manno offers readers a rarely glimpsed vision of subterranean art and culture.

She explores the natural art of the cave itself, gradually made by geological forces over eons and then portrayed by artists in different media over the past years.

One version of the discovery of Carlsbad Caverns in the late has year-old Jim White riding his horse on the range one evening.

He notices a black cloud emerging from a hole in the ground. The black cloud is millions of bats leaving their underground roost to look for an evening meal of mosquitoes and bugs.

A few years later, rich deposits of bat guano were discovered in the cave and mining commenced from deposits that reached feet thick.

Over the decades, White explored the depths of the cave and spent hours building trails. By , he hired a local photographer to promote his discoveries.

In no time October , the speleological wonder became the Carlsbad National Monument. The next year, Santa Fe artists Will Shuster and Walter Mruk were lowered into the cave by a winch-driven guano bucket.

The two painters were only the first of many artists to follow. They wound up in an unlocked storage cabinet until they were rediscovered in After being conserved and framed, several of his photos are now on display at the visitor center.

The previously-unpublished Adams photos in Visions Underground were directly scanned from the original photos. Other high-quality images in all range from drawings to black-and-white photos to the first color photos ever taken underground.

Modern paintings, photographs an sculpture round out the book. Lois Manno is a fine artist and graphic artist. A caver for thirty years and armed with a degree in fine arts, she is a founding member of the National Speleological Society Fine Arts Salon and a Fellow of the National Speleological Society.

She also helped plan and develop the new, permanent gallery in the Carlsbad Caverns visitor center. Visions Underground is well-researched, well-written, well-illustrated and can be summed up in one word: But there is beauty in darker areas as well.

Combining painting with photography, "Visions Underground" is a visual treat and fine coffee table book. Presented in a question-and-answer format, with questions grouped in chapters by subject, the trivia ranges in topic from lawmen and outlaws, to Indians of the West and their chiefs, to wagon trains, boomtowns, women of the Old West, literature and art of the Old West, moves of the West, and much more.

Three different sources give it three different spellings: Gokhlayeh, Goyathlay and Goyalka. Jett was beloved by his students and their letters back to him reveal an intimate side of WWII not often seen.

Illustrated with black-and-white photos that enhance the narrative, the book is simultaneously joyous and horrific. It is a compilation of seminar subjects and accident reconstructions all with one common theme, safety.

It is not a book to be read in the common sense, i. Instead it is, like its author, an educational resource. Pick a subject of interest, find the chapter that discusses it, then read and learn.

New Mexico Aggies at War: Jett, the Dean of Engineering at the New Mexico College of Agriculture and Mechanic Arts later NMSU from to , and hundreds of his former students serving the nation overseas and stateside during the war effort.

Daniel "Dad" Jett composed class newsletters in addition to writing scores of letters; his enthusiasm helped raise morale among soldiers and nurses, as well as those helping the school during difficult times.

Many of the letters reveal nostalgia for college days, and hope for returning to the school after the close of the war. A handful of black-and-white photographs illustrate this revealing and emotionally moving correspondence collection.

She respected our way of life and had no desire to change us as so many outsiders want to do. I found the book both frustrating and interesting.

The frustrating part is that one would have to have a good mental picture of the Martineztown neighborhood to be able to make sense out of the many property transactions which are listed.

The authors conclude their study by urging intelligent city planning not only to preserve the neighborhood but also to heal the wounds of the past.

The period represented is from the s to the early 20th century. Bullis made some rather interesting choices as to who was included in the book.

Several of the snippets, such as those which relate farcical political fiascos and shady associations, are quite entertaining.

Many give the reader a glimpse into a past era where garnering political position based purely on return favors and personal relationships was the norm.

It cannot be argued that Bullis knows his history and has done extensive research. It also includes a comprehensive index.

As a photo album, it makes the people and events come alive. So why did ReadingNewMexico. Because it makes history compelling, real, and readable.

It gives faces to those who served and captures a history that fewer and fewer remember as time goes on. In my opinion, this book should be required reading in history classes at every high school and college, not just in New Mexico, but across the world.

And every library — especially every New Mexico library — should have it as part of their collection so that we never forget.

II With the publication of this second volume of a biographical dictionary of New Mexicans, Don Bullis of Rio Rancho adds to our understanding of the people who helped make our history.

As with the plus entries in first volume, the entries here are also listed alphabetically. There is a separate timeline near the back of the book, but it is unrelated to the plus biographical sketches in the front.

The timeline, strangely, begins in B. That date is noteworthy to Bullis because it was the last day the Albuquerque Tribune published.

Even without a less-than-helpful timeline, readers will have to scamper through the pages to connect the lives of historical figures.

Frankly, readers should probably take the book for what it is and drop in to learn about the lives of individuals who strike their fancy.

There are probably many biographies of interest, people who at least marginally made names for themselves at some point over the centuries.

He wrote the cult novel "The Monkey Wrench Gang" , which had the reputation for providing the philosophical underpinnings for those taking to the extreme their support of the environment.

The last entry is of John K. Zollinger, who bought the Gallup Independent newspaper and expanded its coverage to various neighboring Indian reservations.

Bullis throws a wide net in his attempt to be all-inclusive. The result is an intimate view of the territory, from the status of the roads to the clash between the Spanish and Pueblo cultures.

The reports, which Hendricks admits that he has translated for historical accuracy rather than for ease of reading, are for the serious student of history who wants to consult primary or nearly so sources.

Hendricks, the author or co-author of 16 books, was an editor for the Vargas Project, a historical editing project dedicated to publishing the official papers of Governor Don Diego de Vargas In "Frank Applegate of Santa Fe: Co-authors Daria Labinsky and Stan Hieronymus bring a beautifully designed, profusely illustrated, and superbly presented compendium showcasing the life and works of Frank Applegate and his influence.

The layout is very nice — the cover includes a folded front piece which can be used to mark the pages, making it user friendly. It is laid out in a simple way, the entries are alphabetical, and the photo portraits add much to the biographical sketches of the subjects.

Reading about the lives of people who made New Mexico their home, and in many cases personal project, is quite the most interesting way to learn about New Mexico history and culture.

Having lived here some plus years now, the occasional entry weaves into my own life. Some of the juxtapositions of the entries are quite interesting: The mysterious Lozen, sister of the great Apache chief Victorio, is two entries from Nancy Lopez, professional golfer, and adjacent to Abad Leroy Lucero, award-winning woodworker.

Lee are examples of those who made New Mexico their lifelong project. Anderson endowed the University of New Mexico Schools of Management, and was said to be one of the largest individual landowners in the U.

His photo shows him in a fishing vest, I believe, and joking with the photographer. Wish I had met him, and I just missed, because he died in December of Taylor, and served as State Senator for 12 years.

Everyone needed to make up the full complement of talents in a great and diverse state, is here: The geography of this land, being of the special — enchanted — kind, makes it possible for the subjects of these biographies and ourselves to live life as art.

Just as the artists and photographers came under the spell of the landscape, so did the woodcarvers express the land of their birth; and so did Floyd Lee take the land as his template when he returned from the war and took up sheep ranching, which necessarily soon morphed into cattle ranching, and his 12 years as State Senator.

The page bibliography would keep any reader busy for a long time. Covering everything from art to politics, this book has something different and interesting on every page; I can see why Volume I has garnered so many awards.

It is a treasure of reference books, accessible, reader friendly, full of fascinating information. As a primary caregiver, she brings the reader into her concerns: Will he wander away from the apartment during the night?

Will he manage to reach the toilet or will she have another major cleanup chore? Will she be able to get him back into his bed when he falls out?

Over and over, she gives thanks for the washer and dryer in the apartment. During the final three months, when she knows she can no longer continue to care for him herself, Awalt goes daily to spend hours with him at the Medical Center.

This part of her journal kept me turning page after page to see what would happen next. Written for other caregivers, Awalt makes her case clear for better communication between doctor and family members.

This reviewer wished for better editing. The occasional wrong word should have been corrected. Several unclear passages might have been reworked.

Some of the repetitiveness could have been eased. But for all that, an insightful read. The mid afternoon sun warms the ground under your sandals.

Buzzing lazily, bees alight on purple lavender blossoms to sip succulent nectar. The air smells of roots and freshly watered earth.

Leaves rustle, and blossoms blur until they resemble an Impressionist painting. Perhaps bringing lavender inside and cooking with it--tasting a moist pound cake flavored with lavender, and fresh from the oven.

Perhaps enjoying the scent of chicken, rosemary, and lavender blending as they bake. Then you might like to pick up a copy of Suzanne T.

Cooking with Lavender will help you. Besides a brief history of the plant, the introduction lists the types best for cooking, ways to use them; and a brief summary of how to grow, harvest, and store lavender, if you would like to try that.

Smith lists her e-mail address and invites you to let her know how you like her recipes. She suggests two places to buy culinary lavender.

A novice with this plant, I followed Ms. Each time, a delightful aroma swelled in my kitchen, and soon after that, a delicious taste filled my mouth.

It filled my whole being. As soon as I locate a good source of culinary lavender, or someone answers the phone at the places Suzanne T. Then there are the history books that are too much like the texts we groaned through in school.

New Mexico in The Priests Report is that kind of history book. Specifically, it is a primary source book, chiefly interesting to the academic historian, although not impossible for the general interest reader.

The Merchant Guild of Guadalajara requested these reports: The Guild desired specific information about each pueblo: What kinds of livestock were raised?

What was the condition of the roads? In all, there were eight questions the priests were to address. Bit by bit, the text gives up information of interest.

The census figures included in each report are a valuable contribution to what we know about Nuevo Mexico of the time. The figures are divided by gender and race, so we see how many men and women lived in the pueblos, and how many were Indians and how many non-Indians.

These figures include the baptisms, marriages, and burials of The damage this nation does is incredible. He includes a glossary, and short biographies of the priests, some of whom were embroiled in almost telenovela style controversies not related to the reports.

A little more interpretation would have been helpful. Hendricks does not place these reports in the context of the long occupation of Spain in the New World, or the coming independence of Mexico, 20 years in the future.

What conquered people willingly adopt the culture of those who have subjugated them? The documents being in the Spanish voice give us no interpretation, none of the native point of view.

However, historians will now be able to read between the lines of these primary source documents. Hendricks successfully arranged punctuation and paragraphs, but I have a quarrel with how the book is formatted.

For one, the text lacks quotation marks. Wenn Sie sich zum Beispiel als "Max einem der von Dumarca angebotenen Dienste unzufrieden ist, kann dieser Benutzer Dumarca umgehend kontaktieren sodass Spieler reibungslos von einem zum anderen.

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Private bathrooms come with a bathtub. The nearest shorelines are at El Campello, a 5-minute push from the resort.

Keep heading straight to El Campello on the N street towards Villajoyosa. It was built by a French overseas Vietnamese.

Alle 3 Regimenter waren, was die Kampfkraft betrug, gleich. Club Vegas on the first floor is where you can enjoy late night entertainment.

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It reads nice and easy as if personable Albuquerque author Slim Randles were advising you to choose items you want from his bucket list.

The list is comprised of things to visit and things to do. It is numbered from number down to No. Each listing receives its own page; photographs accompany the text.

Randles writes that the crossing was initially used for cattle drives by Charles Goodnight and Oliver Loving as part of the trail from Texas to New Mexico named for them.

The crossing is near a farm road northwest of Girvin, Texas. It is sponsored by SouthWest Writers. And he will sign and discuss the book at 3 p. For the last-mentioned item, No.

In between are activities that could occupy you for months, if not years. It could mean traveling from the East Coast to Hawaii, attending rodeos, visiting museums, joining a wagon train, going to cowboy poetry gatherings, buying a GOOD cowboy hat.

Or maybe taking a horseback tour of Mongolia. Or it could mean exploring bucket list opportunities on day trips from home.

Visit Folsom Man Site, where a black cowboy discovered archaeological artifacts. Check out Carlsbad Caverns, which were first explored by a cowboy.

Randles grew up in El Monte, Calif. When war called up his students, Jett carried on a personal correspondence with hundreds of young men and women.

The back and forth of these letters boosted morale among the serving soldiers and nurses overseas and stateside. From a woman stationed in San Diego: I know it now!

A Bilingual Tale" is an illustrated bilingual tale in Spanish and English for children ages This charming tale about a holy Santo Nino Christ Child who heals children and receives shoes to continue his missions was originally published in the s by famed new Mexican author Peggy Pond and is now being re-issued with new translations and illustrations so whole new generations of both cultures may continue to enjoy the story.

Julianita, last of eleven children and spoiled and mothered by all her 11 siblings, decides she will make a new pair of shoes for the Christ Child, el Santo Nino, because the ones he is given wear out at least 2 or 3 times per year.

Is the Santo Nino cavorting around the country side at night, or going on errands of mercy to help heal children everywhere? Julianita is determined to make her special shoes for the image of the Christ Child, hide, and watch to find out what happens.

Perhaps she is growing up, her parents wonder, noting her unusual industriousness. Carefully Julianita makes her plans and steals to the church at night with her fine gift of shoes for el Santo Nino.

Though she is afraid, she is delighted and surprised by what awaits her in the church. For the Christ Child has become a living boy who is delighted with her special gift, a boy even smaller than she is.

The Santo Nino companions Julianita in his night odyssey and they see many marvels together. El Santo Nino speaks to the horse and the burro, asking after their welfare, and they answer him in wonderful words.

The burro consents to carry both the little Christ Child and Julianita on their way. Amazingly, Julianita sees each of the creatures of the night communicating with the Christ Child, so gentle and so wise, even the tiny mouse and the humble jack-rabbit.

Each creature addresses the Christ Child with reverence and respect. Gradually Julianita comes to realize the precious miracle that el Santo Nino has chosen to reveal to her: It is her own faith and belief.

The Spanish translations on each page and the colorful illustrations by award-winning artist Charles M. Carrillo enhance perfectly this beautiful tale of faith and reverence.

It begins on Feb. Another photo is a close-up of her hands; the forefinger on her right hand is missing.

It was sliced while mowing in an alfalfa field, the text says. Tsosie grew up ranching in Bowl Canyon, N. In between those pages are landscapes, objects, baseball players and portraits that reveal the hard work, pride and endurance of the Navajo people.

Among them are saddle bronc rider Jerrick Hildreth of Coolidge, N. Short text blocks accompany many photos. The final image in the book is a road sign near Shiprock that thanks motorists for visiting the Navajo Nation and to return for more memories.

The tale is delightfully imaginative: This tales is best suited for children ages four to eight. Apparently, in the old days, they were rounded up in the fall by brave cantaloupe punchers and special dogs.

The story comes complete with villains. The cantaloupes were just plain mean. One day, a band of cantaloupes even attacked Andy, the family dachshund.

In order to save his dog, Dad, the hero, scored a direct hit on the nearest cantaloupe. His sliced it in two with his knife.

Pronghorned cantaloupes might be wild and dangerous in a herd, but they were mighty fine eating when they were caught. To find out what eventually became of these critters, you must read this delightful folk tale of the Moderately Old West.

To add to its wonder and charm, The Tale of the Pronghorned Cantaloupe is fully bilingual — English-Spanish, translated by its illustrator, Noel Dora Chilton, whose forty-eight splendid illustrations enrich the text.

But a how-to on starting a competition barbeque team? Nope, not until now. To the credit of Hensler, he is upfront with his readers about how this book came about.

And judging from what he included in this book, this is a guy who got it right away. Hensler included a couple of bonuses in his book.

The first is all the barbeque team logos interspersed throughout the pages. Some you may know, some you may not. It may inspire a new logo for a team of your own.

The second bonus is the playlists for different periods in a competition. He was attending the competition as a spectator and decided that competitive barbequing looked like it might be a good deal of fun.

The team started out pretty innocently as a bunch of friends barbequing in the back yard but quickly turned into a full fledged BBQ team. When beginning competitive barbequing the team had to rely on the assistance of other teams to point them in the right directions as there was no printed information widely available at the time.

Luckily although the barbequing is competitive most teams were willing to take a new team under their wing and show them the ropes.

The society lays out some of the ground rules for competition including; the types of barbequing meats, the double blind judging method, and contest rules.

When beginning to barbeque competitively George Hensler searched for information on how to begin the team. This book is an absolute necessity to anyone considering starting a BBQ team or someone just wanting to know more about BBQ teams.

There are chapters including; building your team, selecting a cooker, and how to handle your first contest. There are also a wealth of stories intermingled into the text of events that have occurred.

At the end of the book there is a glossary of BBQ terms so that even a newbie can understand what is being said.

The book is available at Amazon. There are many ways to get involved in barbequing. You can become a judge through classes that are available throughout the year at various locations.

You can be a contestant in the competitions and compete locally or travel the country. Or you can just be a spectator and enjoy the wonderful smells and flavors.

The one who has a secret sauce recipe passed down from his grandmother? The guy who is sure that if he entered a competition he would walk away with more trophies than the NY Yankees?

He needs this book. Fairly new to competing, George has chronicled his experience as on his blog http: George writes in a friendly and colloquial fashion with ancedotes that complements his advice.

When I got the book I was motivated to read due to the thickness not thick at all of the book. I spent a couple days checking out the art work on the front page and the back page with comments from Ray Lampe aka dr bbq, Rick Browne and Mike Stines.

When I started reading this book, it became personal right away. First of all thanks to Al Gore for inventing the internet. George stated on a forum that he was writing a book and was looking for bbq pictures.

Now I regret not sending our logo to make this book. After 4 top ten calls and a RGC we knew who those guys were. The book is very informative for people who plan to compete or for fans of pitmasters to know whats required to compete.

As a comp bbq team we found this very valuable. This book will shortening the learning curve. From picking a name to team mates, bbq equip and the things needed compete, Transportion, box building practice were points that addressed.

Resoures such as bbq forums, bbq books, equipment sources, review of kcbs rules,and bbq lingo. Reading this book could cause an addiction.

But it will have you totally prepared for competition bbq. I am sure George would agree with me that he wish he had read this book before starting to compete.

We think any one planing on or competing can gain valuable info from reading this book. George where are the recipes?

George even includes a variety of team logos throughout the book including one that does not include a cartoon pig but instead involves a skull and crossed BBQ tools.

And some smoke in da eye of the skull. Anyway, back to the book. As George mentions, it was hotter than a whore on dollar night that weekend and everyone was struggling to get 6 categories completed and turned in a three-hour window while not passing out.

We all survived and settled in to awards, not expecting much based on the critique our neighbor and good friend Jack McDavid had provided of our entries.

But we sat anyway and were amazed to get a first place call in the first category, sausage. We cheered so much, in fact, that I missed the fact that they called Smoke In Da Eye for second place in chicken and had to look at the trophy when I received it to even know what category it was for!

Yet while every existing competitor should read the book simply to experience the color way in which George shares so many of the experiences we have all had during our time on the circuit, this book was truly create as a bible for those just now looking to dip their foot in the barbecue sauce pond.

As such, I asked my wife to read the book and provide her own take on it. Although she grew up minutes for the mega Memphis In May contest and has come to several of our competitions over the years, her experience has always been that of a spectator.

I was very impressed by the chapter about Box Building , which explains why putting lettuce in a Styrofoam container is surely one of the most maddening aspects of competing.

What I loved most though was how he was able to convey his love of the sport and the camaraderie between all the teams. In , Shuster was the first artist to enter Carlsbad Caverns and paint its inky splendors.

Forever seeking new adventures, Shuster and fellow Cinco Pintores painter Walter Mruk heard about the exciting discovery of an underground world near Carlsbad and drove south to the cave.

They found geologist Willis T. Lee encamped with his National Geographic entourage for several months of surveying and photography.

The pair set up lanterns on the primitive trails, making sketches as models for larger works. Shuster produced at least eight large paintings and several oil sketches of Carlsbad.

Shuster would return to the caverns again in as part of a Works Projects Association mural contract. The murals have since disappeared, either destroyed by their maker or never finished, Manno said.

Shuster later said, "The cave has made a cubist, vortivist and post-impressionist of me against my will.

The exhibit would showcase not only five paintings by Shuster, but 25 original prints by Ansel Adams. The great photographer came to the caves in and to photograph them for the Department of the Interior.

They were sort of a hidden treasure. To communicate scale, Adams was forced to use models, another technique he abhorred, she added.

Adams described one of the most challenging assignments of his photographic career by comparing the cave to working inside an "illuminated stomach.

Mounted on board, the prints are signed in pencil and have been authenticated by the Adams estate. Where else do you see these fantastic rock formations and the amount of time it takes to form them — hundreds of thousands of years?

And you have to create your own light, which drove Ansel Adams crazy. Book signing of "Visions Underground: And Juan, a reformed trickster — he guards sheep — wonders if Manuelito is leading an honest life.

The three meet in the cantina where Maria works. Manuelito, dressed to the nines, says he sells sombreros.

The cousins get wasted on shots of mescal. Chasing him, Juan thinks he can fix the problem. But the rooster is dead before he can return it. Rather than reveal the surprising developments, readers should find out for themselves.

Besides the issue of excessive alcoholic consumption, the inclusion of swear words in English and Spanish make this is a story for adults.

The cautionary tale ends with the aphorism, " A few misspellings and an incorrect glossary listing will slow readers, but not enough to dim the pleasure of the story told by Cheryl Montoya and illustrated by Jerry Montoya, both of Grants.

Included in this quarter-millennium pre-Anglo creative output were Cult of Mary expressions and homages to other female saints. What most people are not aware of is that lavender is also a plant that Spanish settlers first brought to the Americas and has a great many culinary uses as well!

People like famous photographer Ansel Adams and artist Will Shuster. This intriguing and entertaining book covers the history of those who have been inspired to explore Carlsbad Caverns National Park with paintbrush and camera.

She located several works that belonged to the caverns but were in storage in other states, including 25 original prints that Adams made in the caverns in She noticed that the Shuster art and the Adams prints needed conservation.

Manno brought in a consultant from the Museum of New Mexico, Jamie Hascall, who designed special sealing frames for the Adams prints.

The exhibit opened last October at the Visitors Center. Manno, a graphic artist, has been a caver for 30 years and a volunteer at the caverns for 15 years.

He unsuccessfully ran for Territorial Legislature in The answer says Armijo nabbed Billy the Kid for an unspecified offense. The Spanish word vaquero, which means cowboy.

This is the second edition of a popular book that was first published in Bullis is a resident of Rio Rancho. Billy the Kid also is the answer to a movie question: Maybe the book will spawn an Old West Trivia board game.

Ultimately, this proved to be instrumental in helping to establish the cave and surrounding land as a National Monument in and a National Park in The park was declared a World Heritage Site in Manno has compiled over contemporary and historical images of Carlsbad Caverns and associated caves e.

In addition to a host of photographs taken deep within the cave, a rich array of spectacular illustrations—ranging in style from photo-realistic representations to abstract designs—captures the ethereal beauty of underground Carlsbad.

Many of the early artists discussed in the book were hardly known outside of a select community. And yet, working in relative obscurity, they created some of the most endearing artistic masterpieces of Carlsbad Caverns that have ever been produced.

Others, such as renowned photographer Ansel Adams, enjoyed international acclaim. However, all of them struggled to maintain their creative vision when faced with the foreboding and pervasive darkness of the cave.

Portrayed in a variety of media, images of Carlsbad have steadily evolved over the past years, shaped not only by advances in available technology but also as an adjustment to how these images were actually utilized.

As Manno so clearly describes, however, what has remained largely unchanged over the intervening years is the creative inspiration that the cave continues to evoke in the eyes of artists and photographers.

In this singularly interesting account of speleohistory, Manno does an excellent job capturing the ever-changing flavor of underground art, particularly as it unfolded at Carlsbad Caverns National Park.

These featured artists are all well known within the caving community for their unparalleled skill and expertise in capturing the otherworldly magnificence not only of Carlsbad Caverns National Park, but of underground passages in cave systems worldwide.

Many of these prominent artists and photographers have written books themselves, detailing aspects of their own particular creative genius.

While artists and photographers alike may find many wonderful ideas buried among these pages, it should be noted that this book is not an instructional guide to either cave photography or the creation of speleoart.

Cave photographers will not find recommendations for underground lighting and exposure techniques. On the other hand, general-interest readers will not be bogged down by complicated discussions of F-stops, guide numbers, and megapixels.

Furthermore, the book is not meant to be a comprehensive pictorial anthology of Carlsbad Caverns. Rather, it offers only an infinitesimal sample of the captivating world of cave art…past and present.

Readers interested in instructional material on underground photography and speleoart or in the collected works of select artists are encouraged to consult some of the many references provided.

Visions Underground is a well-written and easily read book that will appeal to a wide audience. General readers as well as artists, photographers, and cave historians will all find something of interest here.

In fleshing out this historical portrait of a century of creative expression at Carlsbad Caverns, Manno offers readers a rarely glimpsed vision of subterranean art and culture.

She explores the natural art of the cave itself, gradually made by geological forces over eons and then portrayed by artists in different media over the past years.

One version of the discovery of Carlsbad Caverns in the late has year-old Jim White riding his horse on the range one evening.

He notices a black cloud emerging from a hole in the ground. The black cloud is millions of bats leaving their underground roost to look for an evening meal of mosquitoes and bugs.

A few years later, rich deposits of bat guano were discovered in the cave and mining commenced from deposits that reached feet thick.

Over the decades, White explored the depths of the cave and spent hours building trails. By , he hired a local photographer to promote his discoveries.

In no time October , the speleological wonder became the Carlsbad National Monument. The next year, Santa Fe artists Will Shuster and Walter Mruk were lowered into the cave by a winch-driven guano bucket.

The two painters were only the first of many artists to follow. They wound up in an unlocked storage cabinet until they were rediscovered in After being conserved and framed, several of his photos are now on display at the visitor center.

The previously-unpublished Adams photos in Visions Underground were directly scanned from the original photos. Other high-quality images in all range from drawings to black-and-white photos to the first color photos ever taken underground.

Modern paintings, photographs an sculpture round out the book. Lois Manno is a fine artist and graphic artist.

A caver for thirty years and armed with a degree in fine arts, she is a founding member of the National Speleological Society Fine Arts Salon and a Fellow of the National Speleological Society.

She also helped plan and develop the new, permanent gallery in the Carlsbad Caverns visitor center. Visions Underground is well-researched, well-written, well-illustrated and can be summed up in one word: But there is beauty in darker areas as well.

Combining painting with photography, "Visions Underground" is a visual treat and fine coffee table book. Presented in a question-and-answer format, with questions grouped in chapters by subject, the trivia ranges in topic from lawmen and outlaws, to Indians of the West and their chiefs, to wagon trains, boomtowns, women of the Old West, literature and art of the Old West, moves of the West, and much more.

Three different sources give it three different spellings: Gokhlayeh, Goyathlay and Goyalka. Jett was beloved by his students and their letters back to him reveal an intimate side of WWII not often seen.

Illustrated with black-and-white photos that enhance the narrative, the book is simultaneously joyous and horrific. It is a compilation of seminar subjects and accident reconstructions all with one common theme, safety.

It is not a book to be read in the common sense, i. Instead it is, like its author, an educational resource. Pick a subject of interest, find the chapter that discusses it, then read and learn.

New Mexico Aggies at War: Jett, the Dean of Engineering at the New Mexico College of Agriculture and Mechanic Arts later NMSU from to , and hundreds of his former students serving the nation overseas and stateside during the war effort.

Daniel "Dad" Jett composed class newsletters in addition to writing scores of letters; his enthusiasm helped raise morale among soldiers and nurses, as well as those helping the school during difficult times.

Many of the letters reveal nostalgia for college days, and hope for returning to the school after the close of the war.

A handful of black-and-white photographs illustrate this revealing and emotionally moving correspondence collection. She respected our way of life and had no desire to change us as so many outsiders want to do.

I found the book both frustrating and interesting. The frustrating part is that one would have to have a good mental picture of the Martineztown neighborhood to be able to make sense out of the many property transactions which are listed.

The authors conclude their study by urging intelligent city planning not only to preserve the neighborhood but also to heal the wounds of the past.

The period represented is from the s to the early 20th century. Bullis made some rather interesting choices as to who was included in the book.

Several of the snippets, such as those which relate farcical political fiascos and shady associations, are quite entertaining. Many give the reader a glimpse into a past era where garnering political position based purely on return favors and personal relationships was the norm.

It cannot be argued that Bullis knows his history and has done extensive research. It also includes a comprehensive index.

As a photo album, it makes the people and events come alive. So why did ReadingNewMexico. Because it makes history compelling, real, and readable.

It gives faces to those who served and captures a history that fewer and fewer remember as time goes on. In my opinion, this book should be required reading in history classes at every high school and college, not just in New Mexico, but across the world.

And every library — especially every New Mexico library — should have it as part of their collection so that we never forget.

II With the publication of this second volume of a biographical dictionary of New Mexicans, Don Bullis of Rio Rancho adds to our understanding of the people who helped make our history.

As with the plus entries in first volume, the entries here are also listed alphabetically. There is a separate timeline near the back of the book, but it is unrelated to the plus biographical sketches in the front.

The timeline, strangely, begins in B. That date is noteworthy to Bullis because it was the last day the Albuquerque Tribune published. Even without a less-than-helpful timeline, readers will have to scamper through the pages to connect the lives of historical figures.

Frankly, readers should probably take the book for what it is and drop in to learn about the lives of individuals who strike their fancy. There are probably many biographies of interest, people who at least marginally made names for themselves at some point over the centuries.

He wrote the cult novel "The Monkey Wrench Gang" , which had the reputation for providing the philosophical underpinnings for those taking to the extreme their support of the environment.

The last entry is of John K. Zollinger, who bought the Gallup Independent newspaper and expanded its coverage to various neighboring Indian reservations.

Bullis throws a wide net in his attempt to be all-inclusive. The result is an intimate view of the territory, from the status of the roads to the clash between the Spanish and Pueblo cultures.

The reports, which Hendricks admits that he has translated for historical accuracy rather than for ease of reading, are for the serious student of history who wants to consult primary or nearly so sources.

Hendricks, the author or co-author of 16 books, was an editor for the Vargas Project, a historical editing project dedicated to publishing the official papers of Governor Don Diego de Vargas In "Frank Applegate of Santa Fe: Co-authors Daria Labinsky and Stan Hieronymus bring a beautifully designed, profusely illustrated, and superbly presented compendium showcasing the life and works of Frank Applegate and his influence.

The layout is very nice — the cover includes a folded front piece which can be used to mark the pages, making it user friendly.

It is laid out in a simple way, the entries are alphabetical, and the photo portraits add much to the biographical sketches of the subjects.

Reading about the lives of people who made New Mexico their home, and in many cases personal project, is quite the most interesting way to learn about New Mexico history and culture.

Having lived here some plus years now, the occasional entry weaves into my own life. Some of the juxtapositions of the entries are quite interesting: The mysterious Lozen, sister of the great Apache chief Victorio, is two entries from Nancy Lopez, professional golfer, and adjacent to Abad Leroy Lucero, award-winning woodworker.

Lee are examples of those who made New Mexico their lifelong project. Anderson endowed the University of New Mexico Schools of Management, and was said to be one of the largest individual landowners in the U.

His photo shows him in a fishing vest, I believe, and joking with the photographer. Wish I had met him, and I just missed, because he died in December of Taylor, and served as State Senator for 12 years.

Everyone needed to make up the full complement of talents in a great and diverse state, is here: The geography of this land, being of the special — enchanted — kind, makes it possible for the subjects of these biographies and ourselves to live life as art.

Just as the artists and photographers came under the spell of the landscape, so did the woodcarvers express the land of their birth; and so did Floyd Lee take the land as his template when he returned from the war and took up sheep ranching, which necessarily soon morphed into cattle ranching, and his 12 years as State Senator.

The page bibliography would keep any reader busy for a long time. Covering everything from art to politics, this book has something different and interesting on every page; I can see why Volume I has garnered so many awards.

It is a treasure of reference books, accessible, reader friendly, full of fascinating information. As a primary caregiver, she brings the reader into her concerns: Will he wander away from the apartment during the night?

Will he manage to reach the toilet or will she have another major cleanup chore? Will she be able to get him back into his bed when he falls out?

Over and over, she gives thanks for the washer and dryer in the apartment. During the final three months, when she knows she can no longer continue to care for him herself, Awalt goes daily to spend hours with him at the Medical Center.

This part of her journal kept me turning page after page to see what would happen next. Written for other caregivers, Awalt makes her case clear for better communication between doctor and family members.

This reviewer wished for better editing. The occasional wrong word should have been corrected. Several unclear passages might have been reworked.

Some of the repetitiveness could have been eased. But for all that, an insightful read. The mid afternoon sun warms the ground under your sandals.

Buzzing lazily, bees alight on purple lavender blossoms to sip succulent nectar. The air smells of roots and freshly watered earth. Leaves rustle, and blossoms blur until they resemble an Impressionist painting.

Perhaps bringing lavender inside and cooking with it--tasting a moist pound cake flavored with lavender, and fresh from the oven. Perhaps enjoying the scent of chicken, rosemary, and lavender blending as they bake.

Then you might like to pick up a copy of Suzanne T. Cooking with Lavender will help you. Besides a brief history of the plant, the introduction lists the types best for cooking, ways to use them; and a brief summary of how to grow, harvest, and store lavender, if you would like to try that.

Smith lists her e-mail address and invites you to let her know how you like her recipes. She suggests two places to buy culinary lavender.

A novice with this plant, I followed Ms. Each time, a delightful aroma swelled in my kitchen, and soon after that, a delicious taste filled my mouth.

It filled my whole being. As soon as I locate a good source of culinary lavender, or someone answers the phone at the places Suzanne T.

Then there are the history books that are too much like the texts we groaned through in school. New Mexico in The Priests Report is that kind of history book.

Specifically, it is a primary source book, chiefly interesting to the academic historian, although not impossible for the general interest reader. The Merchant Guild of Guadalajara requested these reports: The Guild desired specific information about each pueblo: What kinds of livestock were raised?

What was the condition of the roads? In all, there were eight questions the priests were to address. Bit by bit, the text gives up information of interest.

The census figures included in each report are a valuable contribution to what we know about Nuevo Mexico of the time.

The figures are divided by gender and race, so we see how many men and women lived in the pueblos, and how many were Indians and how many non-Indians.

These figures include the baptisms, marriages, and burials of The damage this nation does is incredible. He includes a glossary, and short biographies of the priests, some of whom were embroiled in almost telenovela style controversies not related to the reports.

A little more interpretation would have been helpful. Hendricks does not place these reports in the context of the long occupation of Spain in the New World, or the coming independence of Mexico, 20 years in the future.

What conquered people willingly adopt the culture of those who have subjugated them? The documents being in the Spanish voice give us no interpretation, none of the native point of view.

However, historians will now be able to read between the lines of these primary source documents. Hendricks successfully arranged punctuation and paragraphs, but I have a quarrel with how the book is formatted.

For one, the text lacks quotation marks. The Table of Contents is meant to make up for this deficiency, but it does not substitute for the appropriate use of heading fonts, white space, and quotation marks that would have smoothed the way for the reader.

The Priests Report is truly for the history specialist. I cannot imagine the difficulty of translating hand-written documents in year-old Spanish, but this book adds to the understanding and interpretation of New Mexico when it was still a remote and impoverished province of New Spain.

As he and his coauthor Analinda Dunn explain, the Genizaros a term long fallen out of use were native peoples made slaves by the early Spanish settlers, then baptized into Christianity with the goal of eradicating all indigenous identity.

In later generations, these families intermarried with Spanish families. I recommend this slim volume for the gem-like stories, photos, insights, and generosity of spirit running through its deceptively straightforward narrative.

Each of the nineteen active pueblos is represented with a retablo as created by author Charlie Carrillo of its patron saint, in the style of the pueblo.

Four additional, ancestral pueblos are also represented. The colorful imagery, interspersed with black-and-white photography and thoughtful text about the history of each pueblo and its art makes Saints of the Pueblos a distinguished, viscerally visual exploration of how Catholicism and Pueblo culture are inextricably interwoven.

A welcome addition to Native American art studies shelves. Housewives and homemakers particularly appreciated the recipes that were featured within its pages.

One especially nice feature is that each showcased recipe also features a miniature replica of the particular issue in which it appeared.

This impressive collection of gourmet quality, kitchen cook friendly, palate pleasing and appetite satisfying dishes would make an elegant and popular edition to any personal, professional, and community library cookbook collection!

Each section of the book melts smoothly into the next. The book makes one yearn for simpler times. Many folks who grew up in this area wil lenjoy reading this charming book.

Memories of Cibola introduces the struggles, ambitions, faiths, triumphs, and failures of the remarkable people of these places.

Although written in a genuine and folksy style it is not always easy to read. Like many historical sourcebook collections, it has n o smotth narrative flow.

Though Memories of Cibola seems like a bit if stew, with a little of this and a little of that, it is a dish well worth sampling. The reader will be more than compensated for the difficuklties in the book by the value of the insights to be gained between its covers.

The Web of Influence Among Escultores and Carpinteros in the Parish of Sante Fe, is a close study of a type of religious art that emerged in New Mexico during the early nineteenth century.

A Tapestry of Kinship particularly examines the kinship and social occupation connections between these artists and several families of carpenters, which worked to foment the surge of devotional creativity.

A handful of inset color plates of artworks illustrate this meticulous and scholarly retracing of bloodlines as well as other means of interconnection amid faithful artists and carvers.

As I live in the four-corners area just north of New Mexico, I personally enjoyed it immensely and highly recommend it to readers who enjoy historical western-type novels.

Mexican rifles wipe out the raider and his band October 15, In just six weeks the reputedly decrepit Nana leads forty warriors across the Territory killing over fifty Americans.

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